Work by Douglas Gordon and Damien Hirst is included. Katrina Brown discusses the importance of Douglas Gordon’s 24 Hour Psycho (1993) and some of the films that followed, touching on threads that run throughout the artist’s career. —Douglas Gordon. Themes of identity, the image of the self, portraits, and mortality continue in Gordon’s more recent sculptures, text works, and film and video works. Douglas Gordon, 24 Hour Psycho Back and Forth and To and Fro, 2008. Acquired from the above by the present owner. (New York). You’re only as young as the last time you changed your mind.—Timothy Leary. Distributed by Paramount Pictures. Executed in 2006 Provenance. 1966) Self-Portrait of You+Me (Jane Seymour) burnt gelatin silver print and ash on mirror in artist's frame 32 7/8 x 28 5/8in. The work extends the duration of Alfred Hitchcock’s film Psycho (1960) from its original 110 minutes to 24 hours; the manipulated footage was played on a large hanging screen in a dark room, which allowed visitors to view the projection from the front or the back. 2014 Douglas Gordon: Phantom. The title is inspired by The Age of Earthquakes: A Guide to the Extreme Present, a book by Shumon Basar, Douglas Coupland, and Hans Ulrich Obrist, published in 2015. the only way out is the only way in: Douglas Gordon. Installation at the Museum für Moderne Kunst, Frankfurt© lost but found, Video installation: a stage, a screen, a burnt steinway piano, a black steinway piano and a monitor, Dimensions variable, edition of 3© lost but found, Douglas Gordon, Tryst between RWF and AR via RAG, 2008, Red and white neon, Plexiglas, aluminum, cables and transformer, 118 ⅛ × 49 3/16 × 15 11/16 inches (300 × 125 × 40 cm), edition of 6© lost but found, Douglas Gordon, Self Portrait of You + Me (Jackie smiling II), 2008, Burned print, smoke and mirror, 45 ⅜ × 36 13/16 inches (115.2 × 93.5 cm)© lost but found, If you want to find the truth in something, take it apart piece by piece, then put it back together with the detail of a forensic scientist. Douglas Gordon: Gagosian Gallery. www.fundacionjumex.org. Australian Centre for Contemporary Art, Victoria, Australia. Museo Jumex, Mexico City Gordon’s installations, photographs, text works, and performances create the … DVD Still. Gordon is a conjurer of collective memory and perceptual surprise whose tools include the everyday commodities of popular culture: Hollywood films, found scientific footage, photographs of rock stars, and poetic and ambiguous phrases. 1966 • Follow. In the following years, Pretty much every film or video work from about 1992 until now, a nearly comprehensive exhibition of Gordon’s film and video work, was shown in various international locations, including the British School at Rome; San Francisco Museum of Modern Art; and Musée d’Art Moderne de la Ville de Paris. Installation views, works, editorial content, and more. Directed and Produced by Alfred Hitchcock. Acquired from the above by the present owner. Photo: Studio lost but found/Frederik Pedersen from Psycho (1960), USA. The exhibition Douglas Gordon: The Morning After was scheduled to open at the Giacometti Institute in Paris on April 24, 2020, placing original works by Gordon side by side with those of Alberto Giacometti. Artwork © Studio lost but found/VG Bild-Kunst, Bonn 2020 and © Philippe Parreno. Douglas Gordon’s film Portrait of Janus (divided states) (2017) will be screened in Berlin. © Universal City Studios. As a result, the institution has invited Douglas Gordon to collaborate on several activities from April 2020 through April 2021. Douglas Gordon and Rufus Wainwright collaborated to produce afflictive, slow-motion projections to accompany Wainwright’s performances during his 2010 All Days Are Nights: Songs for Lulu tour. Scottish, b. The scenes are mirrored and slowed down, and switch back and forth between positive and negative in order to emphasize the character’s shifting personalities. Arken Museum, Ishoj, Denmark Link/Page Citation Douglas Gordon's latest video installation, in which an Indian elephant moves silently across two freestanding screens and a monitor installed in the gallery's cavernous space, has been taken as everything from a comment on man's relationship with nature to an unlikely instance of abstraction. Gallery of Modern Art, Glasgow, Scotland. Psycho, 1960, USA. Artwork, front: © Dan Graham; ceiling © Studio lost but found/VG Bild-Kunst, Bonn 2020, March 21, 2020–January 10, 2021 The discussion, moderated by Maxa Zoller, curator of Art Basel’s Film Sector, is titled “‘Reminiscence of a Journey’—The Legacy of Jonas Mekas.” The event is free to attend. Anthology Film Archives will screen Douglas Gordon’s 2016 film I had nowhere to go: Portrait of a displaced person. The film captures the tattooing of the boundary line of Korea’s demilitarized zone, the strip of land separating North and South Korea, along the spine of a young Korean man, Janus Hoon Jang, accompanied by a cello improvisation by Okkyung Lee. Twenty-four Hour Psycho (1993) made Douglas Gordon famous. Dyr i kunsten, or Animals in Art, features sculpture, installations, video, photography, and paintings by a wide array of international artists whose work explores the ways that humans study, categorize, live with, and use animals and how we thus attempt to gain a deeper understanding of ourselves. Artwork © Succession Giacometti. In 1990 he returned to Glasgow and became involved with Transmission Gallery, an artist-run space that hosted exhibitions and served as a studio and social hub. Special Notice. On the first floor, the Coin Culture section will feature catalogues, posters, apparel, and audio productions. G A G O S I A N W W W . This sensory exhibition, whose title translates to Black Suns, offers a fresh perspective on the color black, which has been endowed with a multitude of symbolic meanings in Western art from antiquity to the present day. Athens Attica, Greece. In 2006, Douglas Gordon Superhumanatural opened at the National Galleries of Scotland complex in Edinburgh, being Gordon's first major solo exhibition in Scotland since he … G A G O S I A N . Space is limited and will be granted on a first-come-first-serve basis. T-shirt produced in 2007, in conjunction with "Douglas Gordon: self-portrait of you + me, after the factory," Gagosian Gallery Madison Avenue *Available for purchase online only. Gagosian Gallery. Save this event. Douglas Gordon. Gagosian is pleased to present k.364, an exhibition by Douglas Gordon. Produced in 2003, in conjunction with "Douglas Gordon: Play Dead; Real Time" at Gagosian Gallery West 24th Street, New York 22 × 39 inches (55.8 × 99 cm) Poster is sold unframed. Douglas Gordon: Self-Portraits of You + Me, 980 Madison Avenue, New York, July 24–September 1, 2006 | Gagosian Find out more about the 2006 exhibition Douglas Gordon: Self-Portraits of You + Me at Gagosian 980 Madison Avenue, New York. Dec 17, 2014 - For me, artwork... is something that you should be able to take away—you don't have to be present in front of it, and that's the potency of the artwork when it works. This exhibition, whose title translates to On the Knife’s Edge, brings together works by more than forty international artists. All artworks © Studio lost but found/Douglas Gordon/VG Bild-Kunst, Bonn, 2016. To celebrate the closing of the collaboration, Gagosian and Selfridges will host a reception at the Corner Shop in Selfridges on Thursday, March 28, from 6pm to 8pm. Gagosian – Douglas Gordon: k. 364, 2012 (Publication) | Graphic Thought Facility In his film ‘k. DOUGLAS GORDON, private view invitation card, Gagosian gallery, 2016 | eBay Held at the Gagosian gallery, Geneva. 364’, Douglas Gordon accompanies two Israeli musicians (Avri Levitan and Roi Shiloah) as they make a train journey from Berlin to Warsaw to perform Mozart’s ‘Sinfonia Concertante k. 364’. This lot is … Selected images Enlarge. Gagosian is pleased to announce The Extreme Present, the fifth in a series of annual exhibitions at the Moore Building in the Miami Design District during Art Basel Miami Beach, presented by Gagosian and Jeffrey Deitch. DOUGLAS GORDON (B. The gallery will resume normal hours following the screening (10am–6pm). The first chapter begins on Tuesday, May 19, 2020. In the mid-1990s Gordon moved to Cologne, Germany, where he developed From God to Nothing (1996), a text piece spanning four walls; Three Inches Black (1997), a series of photographs in which three-inches of a finger are tattooed black—the subtext in this case being that three inches is the vital length a blade would need to be to inflict a fatal wound; and Between Darkness and Light (after William Blake) (1997), a large-scale video installation that pairs a film about divine revelation with another about satanic possession. Taryn Simon, Professional Mourners, 2018 © Taryn Simon, May 11–17, 2018Anthology Film Archives, New Yorkanthologyfilmarchives.org. Event map. Index. Opening reception: Saturday, October 12, 6:30–8pmOctober 12–20, 2019Galeries Lafayette Champs-Élysées, Parisgalerieslafayettechampselysees.com. (65.6 x 61.1cm.) Douglas Gordon: I had nowhere to go. For information on works in the auction or how to bid, go to www.artangel.org.uk. Featuring an extensive interview with Douglas Gordon on the process of making his 2016 film I had nowhere to go: Portrait of a displaced person, this video, produced by Berlin Art Link, includes clips of Jonas Mekas and revealing anecdotes about the creation of the film. The following year, Gordon was commissioned to create a work for the new Crossrail station at Tottenham Court Road, London. Unfortunately, owing to the covid -19 crisis, the exhibition had to be delayed for a year. This unprecedented partnership, the institute’s first with a contemporary artist, will variously take the form of impromptu interventions, disseminations, exchanges, and meetings on the foundation’s website and in the spaces of the institute and its partners. Artists for Artangel is a special auction to benefit Artangel’s ambitious projects in contemporary art. Douglas Gordon and Morgane Tschiember’s installation As close as you can for as long as it lasts, presented during Elevation 1049: Avalanche in Gstaad, Switzerland. , an installation of more than eighty text-based works, opened at Tate Britain, London, in 2010. Gagosian is pleased to present Broadcast: Alternate Meanings in Film and Video, an online exhibition of artists’ films and videos viewable exclusively on gagosian.com. The Extreme Present will explore artists’ reactions to the conditions of our accelerating and increasingly complex world. Gordon’s 2016 film I had nowhere to go: Portrait of a displaced person incorporates one minute of real-time footage per year of Mekas’s momentous life, covering his departure from his native Lithuania, to his time in forced-labor camps and a displaced persons’ center during World War II, to his eventual arrival in New York, and beyond. I had nowhere to go: Portrait of a displaced person. Artworks, biography, exhibitions, editorial content, news, museum exhibitions, press, and more. The exhibition features nearly 180 works, intermingling periods and disciplines, and spanning painting, fashion, the decorative arts, the moving image, and installations. Museum in the Camera features the compelling photographs made during this two-year residency. A gallery assistant poses for photographers with an artwork called '100 Blind Stars' by Douglas Gordon, during a preview at the Scottish National Gallery of Modern Art in Edinburgh, Scotland December 14, 2012. Douglas Gordon, I had nowhere to go: Portrait of a displaced person, 2016 (still) © Studio lost but found/VG Bild-Kunst, Bonn 2019, Through March 30, 2019Selfridges, Londonwww.selfridges.com. employs the innate immediacy of time-based art to spark reflection on the here and now, taking the words of famed psychologist and countercultural icon Timothy Leary as its starting point. Douglas Gordon. Their provocative thesis addresses the rapidly evolving digital era, half a century after Marshall McLuhan’s groundbreaking study on technology’s influence on culture, Understanding Media: The Extensions of Man, in which he coined the phrase “the medium is the message.” Works in this exhibition explore concepts of media, communication, togetherness, and isolation. Douglas Gordon’s film Portrait of Janus (divided states) (2017), which focuses on Korea’s demilitarized zone, the strip of land separating North and South Korea, will be screened by the Void in Derry, Northern Ireland. Gagosian Gallery, New York. Selected exhibition history (PDF)Selected bibliography (PDF). Adam McEwen, Escape from New York, 2014 (still from “Battery Tunnel”) © Adam McEwen, Opening reception: Tuesday, December 3, 5–8pmDecember 4–8, 2019Moore Building, Miami. Zidane: A 21st Century Portrait (2006), a film collaboration by Douglas Gordon and Philippe Parreno, is screening outdoors as part of Summer at Louisiana. Working across mediums and disciplines, Douglas Gordon investigates moral and ethical questions, mental and physical states, as well as collective memory and selfhood. From Hollywood films to scientific footage to classical literature, Douglas Gordon takes the seemingly familiar and twists it. The first chapter begins on Tuesday, May 19, 2020. Photo: Claude Gaspari, Through February 13, 2021 Publication Gagosian Gallery – Douglas Gordon: k. 364 2012. (137.1 x 93.9 cm.) For over thirty years, Artangel has worked with artists to produce extraordinary artworks of public import in unexpected places. Work by Douglas Gordon, Damien Hirst, and Carsten Höller is included. . Gagosian Gallery, London. The second floor, the Library, will house an additional selection of limited-edition books, publications, and catalogues raisonnés. Mar 14, 2016 - This Pin was discovered by Victoria Andrews. In Déjà-Vu (2000), composed of footage from Rudolph Maté’s noir D.O.A. G BY George Barber in Reviews | 01 MAY 11 Douglas Gordon, k.364, 2011. The eye thus seems to be reflecting, literally and metaphorically, on the Soho that was once known for its nightlife, media culture, grass roots music venues, and underground performance. The exhibition will be organized into a series of “chapters,” each lasting two weeks. Gagosian Gallery, New York . To attend the event, RSVP to rsvplondon@gagosian.com. Installation photography: Annik Wetter. In Tale of a Justified Sinner (1995) he makes direct reference to Robert Louis Stevenson’s iconic novel The Strange Case of Dr. Jekyll and Mr. Hyde (1886) by adapting scenes from a 1932 film version of the story. Musée du Louvre-Lens, France Gagosian is pleased to announce The Extreme Present, the fifth in a series of annual exhibitions at the Moore Building in the Miami Design District during Art Basel Miami Beach, presented by Gagosian and Jeffrey Deitch. Like Martin Creed’s lights going on and off or Tate’s 1976 acquisition of Carl Andre’s ‘pile of bricks’, the film ignited the British tabloids’ finest writers. In celebration of FIAC in Paris, Gagosian is pleased to collaborate with Galeries Lafayette Champs-Élysées on a two-floor pop-up takeover featuring products related to Gagosian artists. Gagosian Geneva is pleased to announce an exhibition by Douglas Gordon, coinciding with the opening of the Biennale de l’Image en Mouvement at the Centre d’Art Contemporain in Geneva. Douglas Gordon was born in 1966 in Glasgow, and lives in Berlin and Paris. ... gallery interiors, and permanent collection. The film is an intimate portrait of the legendary poet, film critic, and risk-taking curator Jonas Mekas, who had been dubbed “the godfather of American avant-garde cinema,” and who at ninety-four years old is also among the remaining few to have escaped and survived Nazi persecution. Douglas Gordon Gagosian Gallery Human Body Parts Video Installation Lost Look Into My Eyes Jolly Holiday Museum Exhibition Gagosian Gallery Human Body Parts Video Installation Lost Look Into My Eyes Jolly Holiday Museum Exhibition Featuring an extensive interview with Douglas Gordon on the process of making his 2016 film I had nowhere to go: Portrait of a displaced person, this video, produced by Berlin Art Link, includes clips of Jonas Mekas and revealing anecdotes about the creation of the film. The event is free and open to the public. "Douglas Gordon: back and forth and forth and back" Installation view at Gagosian West 21st Street, New York Artwork © Studio lost but found/VG Bild-Kunst, Bonn 2017. In Non-Stop (2018) Gordon’s eye opens and closes slowly, the retina reflecting a series of single words extracted from signs, names, and places around the Soho area, where he lived in the late 1980s. (83.4 x 73cm.) Douglas Gordon / Lawrence Weiner Rosy-Fingered Dawn | Ροδοδακτυλος Ηως 5 Apr 2017 – 20 May 2017. Collections include the Museum of Modern Art, New York; Solomon R. Guggenheim Museum, New York; Museum of Contemporary Art, Los Angeles; National Gallery of Canada, Ottawa; Tate, London; Centre Georges Pompidou, Paris; Royal Museums of Fine Arts of Belgium, Brussels; Museum für Moderne Kunst, … Courtesy Gagosian Gallery. Douglas Gordon will speak with photographer Michel Auder and art critic Lolita Jablonskienė on the life and legacy of Jonas Mekas, the “godfather of avant-garde film.” All three speakers were friends and admirers of Mekas. Selfridges Oxford Street shop windows featuring work by Richard Wright, London, 2019, Saturday, December 15, 2018, 8pmBabylon, Berlinwww.videoart-at-midnight.de. . Share Tweet. Unfortunately, owing to the covid-19 crisis, the exhibition had to be delayed for a year. Installation view, Colección Jumex: Al filo de la navaja, Museo Jumex, Mexico City, August 18, 2020–February 13, 2021. Artwork © Damien Hirst and Science Ltd. All rights reserved, DACS 2020. Date: 2016. I had nowhere to go: Portrait of a displaced person (2016), a filmic portrait of Jonas Mekas, godfather of American avant-garde cinema, premiered at Documenta 14 in Athens and Kassel in 2017. Using literature, folklore, and iconic Hollywood films in addition to his own footage, drawings, and writings, he distorts time and language in order to disorient and challenge. $60.00 USD Options: Toggle Dropdown. Gagosian Gallery | Athens. Previous image Next image. Provenance. Address. Broadcast: Alternate Meanings in Film and Video employs the innate immediacy of time-based art to spark reflection on the here and now, taking the words of famed psychologist and countercultural icon Timothy Leary as its starting point. Commissions by gallery artists include Rachel Whiteread’s House (1993), a negative concrete cast of a condemned terrace house in Bow, London; Douglas Gordon’s Feature Film (1998); and most recently, Taryn Simon’s highly acclaimed performance on the culture of mourning, An Occupation of Loss (2016 and 2018), presented in an astonishing underground location in Islington, London. Adam McEwen, Escape from New York, 2014 (still from “Battery Tunnel”) © Adam McEwen, Opening reception: Tuesday, December 3, 5–8pmDecember 4–8, 2019Moore Building, Miami. Two years later Gordon was named a Commandeur dans l’ordre des Arts et des Lettres by the French Republic. Douglas Gordon (b. Douglas Gordon (b. 1966) croque mort (d) signed 'Douglas Gordon' (on a paper label affixed to the reverse) color coupler print 54 x 37 in. Park Avenue Armory, New York, NY. Douglas Gordon k.364 Poster Produced in 2011, in conjunction with "Douglas Gordon: k.364" at Gagosian Gallery, Britannia Street, London 30 × 24 inches (76.2 × 61 cm) Installation views, works, editorial content, press, and more. A retrospective of Gordon’s work opened at the Museum of Modern Art, New York, in 2006, presenting thirteen significant films; and Pretty much every word written, spoken, heard, overheard from 1989 . Douglas Gordon is represented by Gagosian Gallery. employs the innate immediacy of time-based art to spark reflection on the here and now, taking the words of famed psychologist and countercultural icon Timothy Leary as its starting point. 3 Merlin Street; Athens Attica; 106 71; Greece; Gagosian Gallery | Athens. Gordon was born in Glasgow, Scotland, and studied sculpture and environmental art at the Glasgow School of Art (1984–88). Directed and Produced by Alfred Hitchcock. Comprising four thematic sections—migration and liberty, the human body, the environment, and the inexorable passage of time—the show aims to address the issues shaping our contemporary world. Live auction: June 28, 2018Banqueting House, London, Online auction: June 7–28, 2018paddle8.com, Exhibition: June 8–27, 2018Cork Street Galleries, London. Discover (and save!) The Spring 2018 Gagosian Quarterly with a cover by Ed Ruscha is now available for order. $20.00 USD Additional Links. Download the full press release in English (PDF) or French (PDF), Gagosian at Galeries Lafayette Champs-Élysées, Paris, 2019, Saturday, June 15, 2019, 5–6pmMesse Baselartbasel.com/basel. Ahead of the unveiling of London’s new Elizabeth railway line in 2020, Douglas Gordon and Richard Wright were commissioned to create artworks for the windows of Selfridges as part of the department store’s recently launched State of the Arts project. Find out more about the 2012 exhibition Douglas Gordon: The End of Civilisation at Gagosian West 21st Street, New York. This work is number seven from an edition of thirteen. A 24-hour screening of 24 Hour Psycho Back and Forth and To and Fro (2008) will take place at our 21st Street gallery on November 17, starting at 10am and finishing on November 18 at 10am. Get me there with Google Maps Get me there with Citymapper. In 2000 Gordon had his first survey exhibition in the United Kingdom, Black Spot, at Tate Liverpool. After graduating, he attended the Slade School of Fine Art, London (1988–90), where he began to more deeply explore his interests in cinema and film. C O M tears become … streams become … (with Hélène Grimaud). your own Pins on Pinterest View all exhibitions featuring work by Douglas Gordon at Gagosian Rome When the Scottish National Portrait Gallery invited him to create a portrait work for the International Festival in 2017, his response was to make a doppelgänger of their celebrated marble statue of the iconic Scottish poet Robert Burns. Installation view, MGK, Kunstmuseum Basel, 2013. The title is inspired by The Age of Earthquakes: A Guide to the Extreme Present, a book by Shumon Basar, Douglas Coupland, and Hans Ulrich Obrist, published in 2015. www.louisiana.dk. Douglas Gordon, I had nowhere to go: Portrait of a displaced person, 2016 (detail) © Studio lost but found/VG Bild-Kunst, Bonn 2018, Friday, November 17, 2017, 10amGagosian West 21st Street, New Yorkwww.gagosian.com. Two years later Gordon presented 24 Hour Psycho (1993) at Tramway, Glasgow. Many have attributed Gordon’s ongoing engagement with opposites to his interest in Scottish literary history, in which the tension between good and evil is a predominant theme. (1949), the protagonist shifts between life and death through a series of overlapping flashbacks and temporal divergences. The show brought together major works, displayed in a sprawling configuration devised by the artist, that spread from the museum’s top floor to the freight elevator to a location outside. Gagosian Quarterly invited Pulitzer Prize–winning author Anne Boyer to be the magazine’s fiction writer for 2020. The exhibition Douglas Gordon: The Morning After was scheduled to open at the Giacometti Institute in Paris on April 24, 2020, placing original works by Gordon side by side with those of Alberto Giacometti. The exhibition will be organized into a series of “chapters,” each lasting two weeks. uk.arken.dk. Broadcast: Alternate Meanings in Film and Video employs the innate immediacy of time-based art to spark reflection on the here and now, taking the words of famed psychologist and countercultural icon Timothy Leary as its starting point. Gagosian Gallery, Park & 75, New York, NY. Distributed by Paramount Pictures © Universal City Studios, Douglas Gordon I had nowhere to go: Portrait of a displaced person, 2016, Super 8 film and video transferred to digital video, color and black, sound, 97 min. Gagosian is pleased to present Broadcast: Alternate Meanings in Film and Video, an online exhibition of artists’ films and videos viewable exclusively on gagosian.com. Artist Douglas Gordon; Technique Installation; Historical classification 1990s; Zidane: A 21st Century Portrait, 2005-2006 Douglas Gordon Request Image. See more ideas about douglas gordon, gordon, douglas. Black Burns (2017) is an exact replica of the statue in black marble (instead of white Carrara), which Gordon shattered into a few pieces and placed at the foot of the Victorian original. During Frieze London, from October 3 through 7, Gagosian Britannia Street will screen Douglas Gordon’s 2016 film I had nowhere to go: Portrait of a displaced person. Feb 25, 2019 - Explore Gagosian's board "Douglas Gordon", followed by 10947 people on Pinterest. But Gordon's Play Dead; Real … Shot on seventeen synchronized cameras, Zidane frames the movements of footballer Zinédine Zidane in real time over the course of a single match between Real Madrid and Villarreal at Madrid’s Santiago Bernabéu Stadium on April 23, 2005. Photo: Thomas Gangnet, You’re only as young as the last time you changed your mind.—Timothy Leary. Their provocative thesis addresses the rapidly evolving digital era, half a century after Marshall McLuhan’s groundbreaking study on technology’s influence on culture, Understanding Media: The Extensions of Man, in which he coined the phrase “the medium is the message.” Works in this exhibition explore concepts of media, communication, togetherness, and isolation. Courtesy Gagosian. To attend the free event, register at www.derryvoid.com. In Reviews | 01 May 11 Douglas Gordon takes the seemingly familiar and twists it artworks biography! Douglas Gordon famous through February 13, 2021 Museo Jumex, Mexico City www.fundacionjumex.org made during this residency... Extreme Present will explore artists ’ reactions to the covid-19 crisis, the Coin Culture section will feature catalogues posters! | Graphic Thought Facility in his film ‘ k © Archives Simon Hantaï/ADAGP,,. -19 crisis, the institution has invited Douglas Gordon, k.364, at the Glasgow School of (. 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